'Fun Home' at Center Stage strikes a chord with anyone making peace with their past - Baltimore Fishbowl
Feb 28, 2019Credit: Bill Geenen.“Fun Home” strikes a chord by creatively showing, often through song, how defining moments in our childhood and formative years shape who we become as adults.Baltimore Center Stage’s production, up through Feb. 24, beautifully interprets this beloved Tony Award-winning musical based on Alison Bechdel’s autobiographical graphic novel with confident direction, strong performances and effective scenic design, including balanced, thoughtful use of projections, which Center Stage is so fond of using in its productions to varying degrees of success. They work here.As Baltimore Center Stage’s former public relations manager and a regular audience member for the last five years, I’ve seen a lot of shows at the theater, always with an insider’s critical eye. I often dissect and discuss productions with staff and members of the shows’ creative teams. We know where the cracks are. While I’ve been impressed with and proud of the artistry, performances and/or other elements of every single production at the state theater of Maryland, only a handful of times have I swooned over an entire production.Two shows this season have made that happen. One was “Fun Home.” The other was the joyful, inventive love letter to the Chinese community, “King of the Yees,” another contemporary autobiographical story that, like “Fun Home,” was written by a female playwright (Lauren Yees) with a female central character (Lauren Yees) and female director (Desdemona Chiang). Coincidence? Maybe, but I’m going to give the win to the ladies on this.With humor and compassion, “Fun Home” shows the evolution of 42-year-old lesbian cartoonist Alison through the defining memories of the discovery of her own sexuality and her relationship with her repressed homosexual father, who killed himself shortly after Alison came out to her parents at 17. The titular “Fun Home” is the nickname of the family-run funeral ho...